Sunday, July 14, 2013

Cultural Security News (Jul. 07 - Jul. 13)

Nigeria promotes protection and learning of cultural heritage
In politics, in Nigeria, the National Commission for Museums and Monuments has increased community participation in museums across the country. Nigeria and China signed an Agreement for the Prevention of the Theft, Illicit Import and Export of Cultural Property.
In a crossover of politics and economics, a migration of weavers to Afghanistan and Lahore has significantly decreased exports from Khyber Pakhtunkhwa.
In a crossover of politics and security, in Sri Lanka, reportedly, the LTTE created a “fictional archaeology”. In the Dominican Republic, the International Council of Museums launched a listing of the country’s cultural heritage.
In economics, in the Middle East, Christie’s plans an on-line only sale of Modern and Contemporary Arab, Iranian, and Turkish art. In New Mexico, the annual Santa Fe International Folk Art Market launched including economic and social initiatives. In Iran, art sales in Tehran reflect disparity of wealth.
In a crossover of economics and security, Forbes reported that “High-end art is one of the most manipulated markets in the world”.
In security, in Egypt, national treasures remain at risk during the political unrest.
For similar news, visit Cultural Security News.

Sunday, July 7, 2013

Cultural Security News (Jun. 30 - Jul. 06)

Syrian cultural heritage still at risk while contemporary art market thrives
In politics, the basis for repatriation of cultural property from museums does not always depend on proof of provenance. NAGPRA supports return of Native American human remains to tribes. The Sultanate of Oman has been elected as a member of the Arabian group in the permanent committee of the 1970 Convention for Protection of Cultural Property. Cultural heritage conservation bridges the arts and the sciences.
-In a crossover of politics and security, Azerbaijan participated in a UNESCO discussion on issues of the illegal import and export of cultural property and prevention of the illegal transfer of copyright. In the United States, museums are accused of blocking and delaying restitution claims. Nigeria and China signed an agreement for the prevention of the theft, illicit import and export of cultural property.
In economics, in Czech Republic, the art market recorded a record turnover. Both Sotheby’s and Christie’s report that the market for contemporary art is increasingly global. Amazon may re-enter the on-line art market.
In a crossover of economics and security, Nepal Police are coordinating with the Department of Archaeology (DoA) to collect evidence on antiques that are being sold a Christie’s in the United States and United Kingdom.
In security, in Syria, cultural heritage sites remain threatened by looters and shelling. In Italy, police tracked and arrested looters in Perugia.
For similar news, visit Cultural Security News.

Wednesday, July 3, 2013

Amazon’s Virtual Art Market

The Internet has become a marketplace for virtually everything a person might wish to purchase.  The online sale of expensive contemporary art, however, has yet to take off. This may change if Amazon opens its “doors” to a new online art market. The recent New York Times article by reporter Randy Kennedy, “Amazon is Poised to Re-Enter Web Art Market,” discusses this issue.
As the article describes, Sotheby’s and Artnet both have tried and failed at the online sale of artworks back in the late 1990s; at the time, it appeared that buyers were not yet ready to pay the five or six figure prices for works they had not viewed in person. Now, however, a new player has entered the field: Amazon.  According to The New York Times, Amazon has been in discussion with various galleries regarding the proposition of offering contemporary and other fine art in its virtual marketplace.
At this point in time it is unclear whether Amazon will go through with this art venture. The Art Newspaper reports that an Amazon spokesperson has stated that Amazon has “no comment” regarding this plan. A number of the galleries involved, however, have revealed that the sales might begin this month, and that Amazon will be charging the seller a commission of 5-20%. 
While it is yet to be determined what sorts of art—lower-end or higher- end sales—Amazon will focus on, surveys indicate that collectors are becoming increasingly willing to buy online. One survey, released in April by the international insurance company Hiscox, reveals that, of the upwards of 200 collectors questioned, approximately two-thirds had purchased art online and that a quarter had spent $75,000 or more on works from online sellers or for which they had only seen the JPEGS sent by galleries. Should Amazon go through with its art venture, it would be joining up with other established players in the online market, such as Artsy, Paddle8, Artnet, and Artspace.
The New York Times’ article describes how “The growth of online sales has been fueled primarily by three factors: a broadening base of art collectors around the world; a much greater willingness by those people, both veteran collectors and newcomers, to trust online transactions and buy works after seeing only pictures of them; and a huge amount of inventory in the storehouses of galleries, as a growing number of art fairs and other exhibitions leads to more artists making ever more work.” Does a wider web-based market further commodify artworks? If Amazon succeeds with its online sale of artworks, how could such an economic shift impact the art market? Trends in art sales? The Auction House? Could the virtual art marketplace change how collectors perceive, and why collectors collect, works of art?
Originally posted by Sally Johnson on CulturalSecurity.net.
Learn about the framework for Cultural Intelligence.